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14-day money back guarantee included if product is not activated
You can purchase from Gear4music with complete confidence and peace of mind. All of our digital products come with a 14-day money-back guarantee as standard.
If you decide you don't want your order, you can return it within 14 days of receiving it. Provided your product hasn't been activated in that time, you can exchange it for a different product, or get a refund.
We will only issue a new product or refund if the supplier confirms that your product has not been activated. At the same time, we will ask them to invalidate it so that it cannot be used in the future.
This does not affect your statutory rights.
For more information, please refer to our Returns and Refunds Information.
If you decide your order isn't suitable for any reason you can return it - just let us know within 60 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.
Eligibility for Money Back Guarantee
Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software
We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.
In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.
When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.
This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.
| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 60 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
| Upgraded delivery charges refunded? | Standard costs only | Standard costs only | Standard costs only |
| Free collection on cancellation | No | No | Yes, up to 30 days |
| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.
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Key Features
Boz Transgressor 2 is a unique transient designer plug-in that features two three-band EQ's to individually process the attack and sustain a portion of your audio envelope. Setting a new standard for transient designers, Transgressor gives you unprecedented levels of control and tonal shaping options for your tracks that is simply not achievable with conventional transient designers or EQ plug-ins.
Each EQ band features an adjustable frequency and customisable filter slopes and independent gain controls. An expansive side-chain function lets you control the triggering against an internal or external audio track for more targeted and focused transient shaping.
Ideal for mixing engineers, Boz Transgressor 2 is the perfect solution for mixing transient-heavy instruments such as drums and percussion, letting you soften their impact to sit back in the mix or bring out the attack at specific frequencies for a large than life punch to cut through the mix.
Product Ref: 193512
Going above and beyond what's conventionally possible with transient designers, Transgressor 2 gives you the ability to shape the tone of your tracks by much more than just the attack and sustain. The combination of a transient designer and two EQ's enables you to go into more detail than ever before and equalise the attack and sustain portions of your instruments envelope individually. You're not miss-reading, you really can edit the attack and sustain independently and adjust the low, mid and high frequencies independently for each part of the envelope.
Never before have you been given so much control over your tracks to create the perfect balance within your mix. What if you need a brighter while maintaining a dark and booming fundamental for a tom drum in your mix or if you need to cut back on a boxy midrange and emphasise the articulation of a snare drum? No problem, the Transgressor 2 will give you all the tools you need to shape your envelope to perfection.
You may be wondering, won't a normal EQ do the same job as Transgressor? The answer is a resounding no! Conventional EQ's make global changes to an instrument, meaning any boost or cut you do is only shaping the overall tone and not affecting the transient response of the instrument you're working on. Even dynamic EQ's change the entire envelope momentarily when reacting to a threshold - much like a compressor. Transgressor 2 is unique in that you get two independent EQ's, one for attack and one for sustain, letting you shape the envelope exactly the way you need to fit within the context of your mix. Each EQ has three bands; low, mid and high with customisable frequency selection and gain dial for each band. Each band also features an adjustable filter type that has been tuned to perfection for each band, giving you a tremendous level of control and tonal shaping options for your tracks.
The EQ section in Transgressor is extremely flexible, allowing you to perform smooth EQ on a wide range of instruments, whether that's adding bite to a snare drum without increasing the snare buzz or adding articulation to a kick drum without it becoming 'pokey' or harsh.
Recording sessions can also be gruelling, long and high-stress, meaning you might not always get the tone right at the source, no matter how many sounds and drums you go audition. This often leads to sounds being replaced in the final mix, mostly drums, with CPU intensive playback engines and samples, wasting the time and effort put into tracking. Transgressor can save you time as well as the integrity of the original performance without the need to be replaced later on. Forget about shooting countless samples out and pull up an instance of Transgressor 2 and enhance the transient response and tonal shape to fit your mix seamlessly.
In addition to giving you full control over the sound of your transients, Transgressor adds another layer of creativity by letting you use the detector with an external sidechain. The sidechain mode means that you can adjust the EQ and sustain of any instrument by triggering it against another instrument in your mix. This can be extremely useful for drum mixing, letting you bring out the body of one drum shell by triggering it against a room or ambience microphone. Put Transgressor 2 on your room microphones and route your main snare microphone channel to the sidechain, triggering the transient response when the snare is hit, boosting the body and depth of your snare drum through the room microphone, ideal for achieving larger than life ambience without washing them in reverb completely.
Expertly implemented, the sidechain mode features an adjustable sensitivity detection level to ensure you avoid false triggers from bleed or other artefacts in your signal. Additionally, a "listen" mode lets you monitor your sidechain signal to ensure you are affecting the exact part of the signal you need to achieve sonic perfection.
